As we saw in Timothy Wu’s Copyright’s Communications Policy, each time a new commercially viable technology comes about that makes revenue based upon the copyrighted works of others, any resolution of the conflict of interests takes much time and negotiation. Thus, according to our history books, we should not expect a complete resolution between copyright holders and the distributors of P2P software (who arguably make money based on others’ copyrighted works) anytime soon.
At first appearance, the current struggle between owners of copyrighted works and the distributors of P2P software seems not unlike the other struggles outlined in Wu’s paper. Those struggles took anywhere from about 10 years (in the case of the recording industry) to 37 years (radio) to be resolved. In each case, the two sides settled on a compulsory licensing agreement, after which Congress enacted it into law. Therefore, one might wonder whether the 3 cases outlined in Wu’s paper reflect a possible future for P2P.
However, we must be careful in comparing the past technologies that Wu mentions with that of P2P distributors. In each technology that Wu mentioned, whether it was records, radio, or cable television, it was the “distributors,” and not the end-users, that were attacked for violation of copyrights. Furthermore, at the time each of these technologies was developed, their uses were not explicitly infringing under the copyright legislation of the time. After all, that was the central debate in each of these cases: whether uses of the new technology constituted a violation of copyright.
This is in stark contrast to P2P technology. At the time it was developed, the “infringing” uses of P2P were already clearly violations under current copyright legislation. Moreover, because these “infringing” uses are indeed copyright violations, it is the end user, and not the distributor of the technology, that are direct copyright infringers. The question before the courts is whether Grokster and Streamcast can be held secondarily liable for these copyright infringements.
This brings us back to the question: are the struggles that Wu describes indicative of the future struggles between P2P distributors and copyright owners? While some of the fundamentals outlined above indicate that the current struggle between P2P and copyright owners and the struggles that Wu describes are not related, I think it’s likely that the cases may eventually be resolved in a similar manner. That is, both sides will take each other to court, unsuccessfully try to impose new legislation, and eventually develop some sort of royalty or compulsory licensing scheme that both sides agree on, and have Congress alter copyright law.
Regardless of how the struggle gets resolved, the fact of the matter is that P2P technology is here to stay. Clearly both the RIAA and MPAA could start selling their works online, using the internet as a distribution tool. But P2P represents a clear technological advantage, in that it can allow the transfer of large files to many people very quickly, without the bottlenecking that might be encountered should the works all be downloaded from a central server. The problem of P2P of course, is that since it is not centrally maintained, it is very hard to regulate, and thus make sure that copyright owners get revenue for what is downloaded.
However, just because a high profile P2P case is before the Supreme Court at the moment doesn’t mean that we should expect a resolution anytime soon. Unlike its decision in Sony, which was a reversal of the judgment of the Court of Appeals, the Supreme Court is currently not in a position to set a radical new precedent for the lower courts. They can either affirm the lower court’s ruling, or they can remand the case to a lower court for further proceedings. Thus, one can be assured that the lawsuits will continue for some time. Currently, both the MPAA and the RIAA risk an ongoing decay of profitability due to their inability to extract income from the distributors of P2P software. At the same time, distributors of P2P software have to be careful because they face the possibility that they may be held liable for indirect copyright infringement.
At the moment, I’d say that P2P distributors have a lead over the copyright owners. I say this simply because the 9th circuit recently sided with two major P2P distributors. Also, the plaintiffs may have temporarily weakened their arguments by some of the things they said in the 9th circuit court proceedings. I am specifically referring to the following exchange:
Ramos: There’s nothing different from what they’re [Grokster and Streamcast] doing from organizing and instructing the participants in a trafficking network that is trading in counterfeit materials than what they are doing.
Judge Noonan: Let me say what your problem is. You can use these harsh terms, but you are dealing with something new. And the question is, Does the statutory monopoly that Congress has given you reach out to that somthing new? And that’s a very debatable question. You don’t solve it by calling it theft. You have to show why this court should extend a statutory monopoly to cover the new thing. That’s your problem.
I’d say that the plaintiffs have to be very careful because the courts may think this kind of behavior represents a desire to destroy P2P technology altogether. The courts are fully aware of the beneficial uses of P2P technology, and the plaintiffs aren’t going to win cases by attacking the technology. In order for this struggle to be resolved, the copyright owners must eventually come to some sort of an agreement with P2P distributors. The courts can only do so much. Only once Congress enacts new legislation will there be protection for both sides.
Update: At 12:15 AM I added a couple hyperlinks and fixed some minor typos.